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Scholar Miroslav Verner notes that Amenemhet III's labyrinthine complex was “mentioned by ancient travelers” and continues: The labyrinth at Hawara was so impressive that, according to Herodotus, it rivaled any of the wonders of the ancient world. This same type of symbolism is also seen elsewhere and, notably, in the most famous labyrinth of antiquity: that of Amenemhet III (c. Whether there was a literal labyrinth at Knossos, however, is not as important as the meaning of the labyrinth in the story as a symbol of change and transformation. Evans was certain of his find and explained the mythological aspect of the Minotaur through the Minoan sport of bull jumping (shown in frescoes on the walls of the palace) in which, by grabbing the bull's horns and leaping back over the animal, man and bull appeared to be one creature. Although this claim has been challenged, the fabled labyrinth is still associated with the site of Minos' palace at Knossos and ancient writers reference it as an actual site, not a mythological construct.
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The archaeologist Arthur Evans (1851-1941 CE) uncovered what he believed to be the labyrinth at Knossos in his excavations between 1900-1905 CE. The labyrinth presented him with the opportunity to change and grow but, like many people, Theseus resisted that opportunity until change was forced upon him.
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He must enter a maze no one knows how to navigate, slay a monster, and return to the world he knows he accomplishes this but still retains his youthful flaws until he is changed by the loss of his father and must grow up and assume adult responsibility. The labyrinth in the story serves as the vehicle for Theseus' transformation from a youth to a king. The theme of the labyrinth leading to one's destiny is most clearly illustrated in one of the best-known stories from Greek mythology: Theseus and the Minotaur. As one traveled through the labyrinth, one would become increasingly lost in reference to the world outside and, possibly, would unexpectedly discover one's true path in life. The labyrinth/maze, then, may have served to help one find their spiritual path by purposefully removing one from the common understanding of linear time and direction between two points. According to Irish folk-belief, fairies and other supernatural beings can cause a man to lose his bearings…it is when the voyagers have lost their course and shipped their oars – when they are not going anywhere – that they arrive in the wondrous isles. In passing through a maze one is not going in any particular direction, and by so doing one reaches a destination which cannot be located by reference to the points of the compass. Here we will simply note that mazes are in relation to directions what betwixts-and-betweens are in relation to opposites. Much has been written during the past three decades about the ritual significance of mazes, both as a protection against supernatural powers and as a path which the dead must follow on their way to the world of the spirits.
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The scholars Alwyn and Brinley Rees discuss the significance of the labyrinth-maze and why the design seems to have resonated so strongly with ancient people, specifically the Celts: Even so, the terms labyrinth and maze are often used interchangeably. The labyrinth has been defined as distinct from the maze in that, as noted above, a labyrinth typically has a single path which winds through it while a maze can have many.